94. Imperial Icon on wood, "Mother of God with Child (Hodigitria)", painted frame, attributed to Nechita the Painter, mid 18th century, rare collection piece
Selling price
EUR 4.200
Session
Thu, 26 June 2025 18:00
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Dimensions
width 51.5 cm, height 81.5 cm
Description
tempera pe lemn
Research information
Nechita the painter was an icon and mural painter, active during the 1740–1775 period. His works are found equally in Bihor, in the lands of Huedin and Cluj, in the Transylvanian Plain, on the Someș River valley and in Sălaj. The painting created by the artist is marked by his strong personality, the icons and wall decor being easily recognized by many specific elements. His rich activity would have remained under the sign of anonymity, the painter having the habit of usually dating his works, but not signing them - according to some older traditions encountered throughout the Romanian Middle Ages and which have been preserved until the beginning of the 18th century.
ADDITIONAL INFORMATION
For clarifications regarding the bidding procedure, hammer price costs, guarantee, payment, and collection terms for the winning lot, we recommend carefully reading/re-reading the Bidding Regulations.
For additional information regarding the lot and the auction, please contact the Art Consultants Department.
Detalii
ADDITIONAL INFORMATION
For clarifications regarding the bidding procedure, hammer price costs, guarantee, payment, and collection terms for the winning lot, we recommend carefully reading/re-reading the Bidding Regulations.
For additional information regarding the lot and the auction, please contact the Art Consultants Department.
Dimensions
width 51.5 cm, height 81.5 cm
Description
tempera pe lemn
Research information
Nechita the painter was an icon and mural painter, active during the 1740–1775 period. His works are found equally in Bihor, in the lands of Huedin and Cluj, in the Transylvanian Plain, on the Someș River valley and in Sălaj. The painting created by the artist is marked by his strong personality, the icons and wall decor being easily recognized by many specific elements. His rich activity would have remained under the sign of anonymity, the painter having the habit of usually dating his works, but not signing them - according to some older traditions encountered throughout the Romanian Middle Ages and which have been preserved until the beginning of the 18th century.
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