37. Icon on glass, "Saint George the Great Martyr killing the dragon", attributed to Ioan Matei Purcariu, end of the 19th century-beginning of the 20th century, extremely rare piece.
Selling price
EUR 4.200
Session
Tue, 9 December 2025 18:00
Dimensions
width 43 cm, height 54 cm
Description
Tempera and gold foil on glaze, frame, with clasp
Research information
Among the few icons that have been preserved and can be attributed to Ioan Matei Purcariu, a few relevant stylistic observations can be formulated. First of all, the drawing is correct and carefully done, but without the refinement specific to the established painters of the region. In the second place, the color palette is lively, yet subdued; tones are faded, lacking in brightness - white, blue, red with shades of pink. The artist highlights faces and hands of characters in pink hues and enhances expressiveness through subtle shadows in the eye area. The inscriptions are simple, devoid of the refined ornamentation specific to mural painting, stylistically close to those of his father, Matei.
ADDITIONAL INFORMATION
For clarifications regarding the bidding procedure, hammer price costs, guarantee, payment, and collection terms for the winning lot, we recommend carefully reading/re-reading the Bidding Regulations.
For additional information regarding the lot and the auction, please contact the Art Consultants Department.
Detalii
ADDITIONAL INFORMATION
For clarifications regarding the bidding procedure, hammer price costs, guarantee, payment, and collection terms for the winning lot, we recommend carefully reading/re-reading the Bidding Regulations.
For additional information regarding the lot and the auction, please contact the Art Consultants Department.
Dimensions
width 43 cm, height 54 cm
Description
Tempera and gold foil on glaze, frame, with clasp
Research information
Among the few icons that have been preserved and can be attributed to Ioan Matei Purcariu, a few relevant stylistic observations can be formulated. First of all, the drawing is correct and carefully done, but without the refinement specific to the established painters of the region. In the second place, the color palette is lively, yet subdued; tones are faded, lacking in brightness - white, blue, red with shades of pink. The artist highlights faces and hands of characters in pink hues and enhances expressiveness through subtle shadows in the eye area. The inscriptions are simple, devoid of the refined ornamentation specific to mural painting, stylistically close to those of his father, Matei.