Roxana Scripcaru
Head of the Romanian Postmodern & Contemporary Art Evaluation Office
88. Rapeseed Field
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88. Rapeseed Field
1910, Craiova - 1962, Bucureşti
Estimate:
EUR 18.000 - 25.000
Sold
EUR 43.000
References
COMARNESCU, Petre, "Țuculescu"; Meridiane Publishing House, Bucharest, 1974. CÂRNECI, Magda, "Ion Țuculescu", Meridiane Publishing House, Bucharest, 1984.
oil on canvas pasted on cardboard, 45 x 54 cm, signed bottom right, in black, "I. Țuculescu"
Research information
The artwork is reproduced under the title "Câmp cu rapiÈÄ" ("Rapeseed Field") in the monograph "Ion Èuculescu", Petru ComÄrnescu, Meridiane Publishing House, Bucharest, 1967, p. 11. The artwork is reproduced under the title "Câmp cu rapiÈÄ" ("Rapeseed Field") in the monograph "Ion Èuculescu", A. E. Baconsky, Meridiane Publishing House, Bucharest, 1972, cat. 1, p. 20. The artwork is reproduced under the title "Câmp cu rapiÈÄ" ("Rapeseed Field") in the monograph "Ion Èuculescu", Magda Cârneci, Meridiane Publishing House, Bucharest, 1984, cat. 13.
PROVENANCE
colecÈia dr. D. Gerota.
In his youth, Ion Țuculescu hesitated for a long while between science and art. He chooses to study medicine at the University of Bucharest and painting as self-taught student. He graduates "Magna cum laude" from the Faculty of Medicine and makes his debut as a natural science teacher. However, his professional pathway would allow him to keep painting. In 1938, at the Romanian Athenaeum, his first personal exhibition is organised, which would mark Țuculescu's rise to fame as an artist. The reactions of the public and the critic are mostly positive. He is given appreciation by painter Marius Bunescu and he decides not to give up on art. From the Romanian painting scene, Ion Țuculescu is especially inspired by Petrașcu, Andreescu or Luchian. From the universal art scene, he would take over some characteristics reminding of Van Gogh or Gauguin. He would also acquire various elements from Romanian folklore. Organisation and compositional balance have never represented a key skill for the artist, who was undeniably interested in the expressionist movement. In the series of works dedicated to the rapeseed fields, Țuculescu uses contrasting chromatic discharges. Next to the raw yellow of the vegetation, he adds the dark violet of the skies, which seems to be announcing a storm. The artist's non-conformity is unmasked by the decorative correspondences, in which one can find shades of black, a colour which will receive the role of a first soloist in his work. The artist becomes an interpreter of nature, who oscillates between the objectively-inspired creation and the works in which he transposes himself, instinctively and deeply subjectively. His plastic space, endless and with unusual materialisations, is streaked by an artificial luminosity and by a brutal chromatic becoming a central motif. In the history of Romanian art, Țuculescu remains the amateur turned professional, with an immeasurable power of revitalising the obsolete style of popular art.
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SESSION
Brought to you by
Roxana Scripcaru
Head of the Romanian Postmodern & Contemporary Art Evaluation Office
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