The photos of the lot are informative and indicative, and cannot provide a highly detailed view of the object from all angles. We recommend a careful physical inspection of the lot before bidding.
The photos of the lot are informative and indicative, and cannot provide a highly detailed view of the object from all angles. We recommend a careful physical inspection of the lot before bidding.
22. Icon on glass, "Bereaved Virgin Mary", attributed to painter Nicolae Oancea din Vale, Mărginimea Sibiului, mid-19th century
Starting price
Pretul de pornire si cel estimat nu sunt preturi de vanzare efective
EUR 300
Sold
Pretul de pornire si cel estimat nu sunt preturi de vanzare efective
EUR 2.000
Session
Tue, 25 May 2021 18:30
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Dimensions
width 38.5 cm, height 44 cm, custom 44 Ã 38,5 cm
Description
tempera on glass, stained frame
Research information
A similar work is published in "ColecÈia MuÈat - O geografie spiritualÄ a icoanei pe sticlÄ transilvÄnene" ("MuÈat Collection - A spiritual geography of the Transylvanian glass icon"), by Ana Dumitran, Bucharest, 2018, fig. 22, p. 22.
ADDITIONAL INFORMATION
For clarifications regarding the bidding procedure, hammer price costs, guarantee, payment, and collection terms for the winning lot, we recommend carefully reading/re-reading the Bidding Regulations.
For additional information regarding the lot and the auction, please contact the Art Consultants Department.
ADDITIONAL INFORMATION
For clarifications regarding the bidding procedure, hammer price costs, guarantee, payment, and collection terms for the winning lot, we recommend carefully reading/re-reading the Bidding Regulations.
For additional information regarding the lot and the auction, please contact the Art Consultants Department.
Dimensions
width 38.5 cm, height 44 cm, custom 44 Ã 38,5 cm
Description
tempera on glass, stained frame
Research information
A similar work is published in "ColecÈia MuÈat - O geografie spiritualÄ a icoanei pe sticlÄ transilvÄnene" ("MuÈat Collection - A spiritual geography of the Transylvanian glass icon"), by Ana Dumitran, Bucharest, 2018, fig. 22, p. 22.
Brought to you by
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