Roxana Scripcaru
Head of the Romanian Postmodern & Contemporary Art Evaluation Office
The photos of the lot are informative and indicative, and cannot provide a highly detailed view of the object from all angles. We recommend a careful physical inspection of the lot before bidding.
The photos of the lot are informative and indicative, and cannot provide a highly detailed view of the object from all angles. We recommend a careful physical inspection of the lot before bidding.
66. Le sarcophage rouge [1983]
1922, Bucureşti - 2012, Paris
Estimate
Pretul de pornire si cel estimat nu sunt preturi de vanzare efective
EUR 2.500 - 3.500
Sold
Pretul de pornire si cel estimat nu sunt preturi de vanzare efective
EUR 2.400
Session
Thu, 6 July 2023 19:30
Brought to you by
With an artistic conception on the borderline between graphics, sculpture and architecture, Horia Damian will often move from the two-dimensionality of the drawing to the translation of his concepts into tangible constructions. The cantonment in the abstract-geometricized zone will take place against the background of the - obviously prolific - meetings Damian will have in Paris. Mondrian, Yves Klein or Auguste Herbin are just a few of the big names that influenced the Romanian artist's career. The reconfiguration of his creative itinerary, both in terms of the manner in which it is produced and thematically, thus takes place against the backdrop of this change in geographical placement. Concerns about architectural forms converge to reconsider the priorities in Damian's work. The graphic works will occupy, with time, the primary place assigned until recently to painting and will function both as sketches for its future sculptural manifestations and as independent works. Innovative artistic figure of the 20th century, Horia Damian focuses his attention, starting with the 1970s, on the series of sarcophaguses. This was meant to offer continuity to the pyramidal cycle, making reference, more or less, to Antic Egypt. The sarcophagus symbolised, in the period mentioned, the space where the bodies of rulers or wealthy residents, confident in the afterlife, were deposited for eternity. The artist thus shows an undeniable interest in objects with a symbolic charge, which he also codifies in a philosophical key, in a graphic discourse that has at its centre the theme of the axis of the world devoid of human beings.
References
The catalogue of the exhibition "Horia Damian", National Museum of Contemporary Art, September-October 2009.
Dimensions
width 100 cm, height 70 cm
Description
gouache, chalk and pencil on paper, signed, dated and entitled bottom left, with pencil, "Damian, Le sarcophage, 1983"
Dating
1983
ADDITIONAL INFORMATION
For clarifications regarding the bidding procedure, hammer price costs, guarantee, payment, and collection terms for the winning lot, we recommend carefully reading/re-reading the Bidding Regulations.
For additional information regarding the lot and the auction, please contact the Art Consultants Department.
Detalii
With an artistic conception on the borderline between graphics, sculpture and architecture, Horia Damian will often move from the two-dimensionality of the drawing to the translation of his concepts into tangible constructions. The cantonment in the abstract-geometricized zone will take place against the background of the - obviously prolific - meetings Damian will have in Paris. Mondrian, Yves Klein or Auguste Herbin are just a few of the big names that influenced the Romanian artist's career. The reconfiguration of his creative itinerary, both in terms of the manner in which it is produced and thematically, thus takes place against the backdrop of this change in geographical placement. Concerns about architectural forms converge to reconsider the priorities in Damian's work. The graphic works will occupy, with time, the primary place assigned until recently to painting and will function both as sketches for its future sculptural manifestations and as independent works. Innovative artistic figure of the 20th century, Horia Damian focuses his attention, starting with the 1970s, on the series of sarcophaguses. This was meant to offer continuity to the pyramidal cycle, making reference, more or less, to Antic Egypt. The sarcophagus symbolised, in the period mentioned, the space where the bodies of rulers or wealthy residents, confident in the afterlife, were deposited for eternity. The artist thus shows an undeniable interest in objects with a symbolic charge, which he also codifies in a philosophical key, in a graphic discourse that has at its centre the theme of the axis of the world devoid of human beings.
ADDITIONAL INFORMATION
For clarifications regarding the bidding procedure, hammer price costs, guarantee, payment, and collection terms for the winning lot, we recommend carefully reading/re-reading the Bidding Regulations.
For additional information regarding the lot and the auction, please contact the Art Consultants Department.
References
The catalogue of the exhibition "Horia Damian", National Museum of Contemporary Art, September-October 2009.
Dimensions
width 100 cm, height 70 cm
Description
gouache, chalk and pencil on paper, signed, dated and entitled bottom left, with pencil, "Damian, Le sarcophage, 1983"
Dating
1983
Brought to you by
Roxana Scripcaru
Head of the Romanian Postmodern & Contemporary Art Evaluation Office
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