95. Landscape at Breaza-Comarnic [1962]

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95. Landscape at Breaza-Comarnic [1962]

Alexandru Ciucurencu

1903, Ciucurova, Tulcea - 1977, Bucureşti

Estimate:

EUR 15.000 - 25.000

Not sold

References

OPRESCU, George, „Alexandru Ciucurencu”, Ed. Meridiane, Burești, 1962. JIANU, Ionel, „A. Ciucurencu”, Ed. de Stat pentru Literatură și Artă, București, 1965. FLOREA, Vasile, „Ciucurencu”, Ed. Arc 2000, București, 1995.

oil on canvas, 61 x 74 cm, 61 Ã 74 cm, signed and dated bottom right, with green, "AC, (19)62"

Research information

The artwork was part of the personal exhibition in Berlin, 1962, under cat. 51, under the title "Peisaj Breaza-Comarnic" ("Breaza-Comarnic Landscape"). The artwork was part of Vienna and Warsaw Fine Arts Exhibition, 1963, under the title "Peisaj Breaza-Comarnic" ("Breaza-Comarnic Landscape"). The artwork is reproduced in "Ciucurencu", foreword by Dan Grigorescu, Meridiane Publishing House, Bucharest, 1965, under cat. 51, under the title "Peisaj la Breaza-Comarnic" ("Landscape at Breaza-Comarnic"). The artwork is reproduced in "Ciucurencu", Mircea Deac, Meridiane Publishing House, Bucharest, 1978, under cat. 76, under the title "Peisaj la Breaza-Comarnic" ("Landscape at Breaza-Comarnic"). The artwork is reproduced in "Alexandru Ciucurencu", Vasile Florea, Arc 2000 Publishing House, Bucharest, 1995, under the title "Peisaj la Breaza-Comarnic" ("Landscape at Breaza-Comarnic").

PROVENANCE

colecÈia istoricÄ Ecaterina Caragiale-Logadi (1894-1987) colecÈia istoricÄ Ernest Morgenstern

The return of the artist to the picture rails once the Second World War was over showed a rich repertoire of portraits, illustrative compositions, interior scenes, static natures and landscapes, the latter gaining a more and more prominent place. Captured on the outskirts of the city, depicting the slums and factories, and in Cozieni, Breaza, Comarnic, Căciulați or Tulcea, the landscapes revealed new artistic testimonies. Inclined towards the construction of the pictorial form, the artist would treat the landscape in multi-layered plans, suggesting the depth through shades and chromatics variations. In shades of blue or green, sometimes more sober, the chromatics would clearly organize the surface, along with a vigorous design governing the entire composition. (GM)

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