Meniu

Buying
How to sell
Contact
English
Gifts
Reduced Twice

Rare Books, Documents, Photography & Posters

Collectible Religious Art

Asian Art, Technical Objects, Taxidermy, Curiosities & Antiques

Jewelry & Watches

Numismatics, Medals, Maps, Arms & Decorations

Luxury, Elegance, Collectible Cars & Beverages

Collectible Folk Art

Sneakers & Toys

Discover







67. Graphics and Pearls [2008]

The photos of the lot are informative and indicative, and cannot provide a highly detailed view of the object from all angles. We recommend a careful physical inspection of the lot before bidding.

67. Graphics and Pearls [2008]

1924, Bucureşti - 2017, Bucureşti

Estimate:
EUR 1.500 - 2.500
Not sold

References

Adrian Buga, "Alma Redlinger", exhibition catalogue, Unarte Publishing House, Bucharest, 2011.

oil on canvas, 46 x 30 cm, Signed lower right, in white, "Alma Redlinger"; signed, dated and titled, on the verso, "Alma Redlinger, 2008, Green leaf with drawing"

Research information

The artwork is reproduced in the magazine "AnticArt Magazine", no. 41-42, March-April 2011, page 72. The artwork is reproduced in "Alma Redlinger", Adrian Buga, exhibition catalog, Unarte Publishing House, Bucharest, 2011.

Alma Redlinger's (born Polak) relationship with art was intermediated even by her aunt, lawyer Fany Leauny, who introduced her to the world of art albums brought from her abroad journeys. However, Alma Redlinger was to interact, at least tangentially, with other types of artistic manifestations. As a child, she used to stage theater shows with her sisters (Iulia and Nectaria) for the neighborhood kids. In painting, a significant lineage of her creation is represented by still lifes. The preoccupation with the study of the object will never leave the artist. Looking back at her works, we can spot elements of Cubist construction - the pipe, the glasses, the book; but also coffee cans, cameras, family photos, glasses, and vases. As revealed also by the presented work, Alma Redlinger paid special attention to highlighting the transparency of vessels and reflecting light. Her colors, lines and strokes are carefully related, regardless of the compositional structure. The transparency of the glass allows the play of matter, so that we distinguish the fine line and the suggestion of water.

For clarifications regarding the bidding procedure, hammer price costs, guarantee, payment, and collection terms for the winning lot, we recommend carefully reading/re-reading the Bidding Regulations.

For additional information regarding the lot and the auction, please contact the Art Consultants Department.

SESSION
Thu, 12 December 2024, 17:00

Similar lots

Nude Study

135. Nude Study [1963]

Sorin Ionescu

    Estimate: EUR 400 - 700
    Not sold
Study

149. Study [1906]

Nicolae Vermont

    Estimate: EUR 100 - 200
    Sold EUR 250