Meniu

English
Gifts

Rare Books, Documents, Photography & Posters

Collectible Religious Art

Asian Art, Technical Objects, Taxidermy, Curiosities & Antiques

Jewelry & Watches

Numismatics, Medals, Maps, Arms & Decorations

Luxury, Elegance, Collectible Cars & Beverages

Collectible Folk Art

Sneakers & Toys







136F. Drawing Lessons

The photos of the lot are informative and indicative, and cannot provide a highly detailed view of the object from all angles. We recommend a careful physical inspection of the lot before bidding.

136F. Drawing Lessons

1886, Huşi - 1933, Iaşi

Estimate:
EUR 10.000 - 16.000
Not sold

oil on cardboard, 60 x 50 cm, 60 × 50 cm, signed bottom left, with violet, Șt. Dimitrescu"

Material / Carats

ulei pe carton

Research information

A version of the artwork can be found in the Dinu and Sevasta Vintilă Museum's patrimony, in Topalu. The artwork was part of the exhibition "Grupul celor patru" in 1926. The artwork is reproduced under the title "Fetiță la pupitru" in the volume "Grupul celor patru", Doina Păuleanu, Monitorul Oficial Publishing House, Bucharest, 2011, p. 138. The artwork is reproduced in the monograph "Tonitza. Imagini ale copilăriei", Mureș County Museum, 2019, at p. 198.

Influenced probably by his path as well, both professionally and personally, Dimitrescu would successively dedicate, in the most important points of his style, compositions which exclusively placed the human being in the centre point of their strongest interest. Although, on the aesthetic level, Ștefan Dimitrescu was strongly influenced both by his Iași phase, the Academist stage - with Gheorghe Popovic as a professor at the Iași Academy of Fine Arts - as well as his Paris period, where he came into contact with Impressionism, but also with the creation of Toulouse-Lautrec, the painter would soon find his own path. This was due to materialise in the third decade of the last century, at a time when the painter was perfecting a personal style which was going to propel him amongst the Romanian artistic elite. His creations dedicated to mankind did not remain at a "sterile" portrait level, but just like for his friend Tonitza, who was experimenting with the portrait and character composition in his own well-known style, Dimitrescu manages to mould works that overpass a single thematic reference point. This aesthetic component would be felt in all his character paintings, but even more strongly for those featuring family members or close friends (see the portraits of the Tonitza couple and children, or the portraits of the Teodoreanu couple). The current work is easily included in this group, Margareta being illustrated in a strongly intimate scene, of a playful tendency - the child at play, drawing at her father's desk. Painted in the second half of the 1920s, a period in which he achieves most of his works with a familiy-related theme - such as "Mother and Children" (1928), "Safta Dimitrescu" (1925-1926) - "Margareta Drawing" completes this family cycle. (I.P.)

For clarifications regarding the bidding procedure, hammer price costs, guarantee, payment, and collection terms for the winning lot, we recommend carefully reading/re-reading the Bidding Regulations.

For additional information regarding the lot and the auction, please contact the Art Consultants Department.

SESSION
Wed, 29 March 2023 19:00

Similar lots

Maternity

54. Maternity [1942]

Carol Hübner

    Estimate: EUR 800 - 1.200
    Sold EUR 1.200
Sunset in Balchik

94. Sunset in Balchik

Kimon Loghi

    Estimate: EUR 900 - 1.500
    Sold EUR 2.750
Landscape on the White Hill

150. Landscape on the White Hill [1935]

Max Arnold

    Estimate: EUR 2.000 - 3.500
    Sold EUR 2.250