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111. Muza (Claudia Millian) [1923]

The photos of the lot are informative and indicative, and cannot provide a highly detailed view of the object from all angles. We recommend a careful physical inspection of the lot before bidding.

111. Muza (Claudia Millian) [1923]

1891, Bucureşti - 1976, Bucureşti

Estimate:
EUR 4.000 - 6.000

References

MIHALACHE, Marin, “Oscar Han”, Meridiane Publishing House, Bucharest, 1985. PĂULEANU, Doina, “Oscar Han, an artist and his era”, Official Gazette, Bucharest, 2020.

bronze, 25 x 32 x 12 cm, signed and dated at the base, by incision, "O. Han, 1923"

In Dimitrie Paciurea's workshop, the artist gradually develops a unique sculptural language characterized by construction rigor, compact forms, clear volumes, and expressiveness achieved mainly through attitude, gesture, and facial expression. His interest in the human figure manifests early in his formation period and continues throughout his entire artistic activity, found both in compositions with multiple characters and rural-inspired representations, as well as in numerous portraits dedicated to cultural personalities such as Mihai Eminescu, Sophocles, Dante, Nicolae Iorga, and Liviu Rebreanu. An important direction in Oscar Han's creation is the female figure, in which the sculptor explores beauty, youth, bodily balance, and the expressiveness of form. Within this context is also the representation of Claudia Millian, a poet, writer, and visual artist, primarily known as the wife of poet Ion Minulescu. Claudia Millian was part of the Bucharest cultural and artistic milieu at the beginning of the 20th century, closely associated with literary and artistic circles where important personalities of the era gathered. Her marriage to Ion Minulescu linked her tightly to one of the most active cultural environments of the period, their home becoming a meeting space for artists and cultural figures. In this cultural setting, Claudia Mill

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SESSION
Tue, 20 October 2026, 19:00

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