64. View to Santa Maria della Salute [1926-1932]

1883, Giurgiu - 1959, Bucureşti

Estimate

EUR 14.000 - 22.000

Session

Wed, 23 May 2018 19:30

In the third decade of last century, Dărăscu became renowned as one of the most representative local Impressionist artists. However, the path of the painter caused another of his appearances in the entire picture of Romanian fine arts. Certainly, the secret behind artistic development is found in the successive accumulation of various influences, acquired both during and after his studies. Since the 20s, Dărăscu managed to adapt his style to the needs of solving problems related to volume building. Colour rules the entire composition, and the surfaces are coordinated exclusively by the painted volumes. However, the developed chromatic complex is also subjected to the purification process. Colour loses its pure consistency, with which it was used in the first periods, and contrast becomes the tool of an in-depth chromatic range. The palette becomes essentialised to the point where we can see in Dărăscu’s landscapes, especially in 1926-1928, a chromatic bivalence modelled around yellow and red. Of course, the entire chromatic complex is subordinated to blue tones, especially in the Venice paintings made during this period, as Dărăscu’s landscapes are always coordinated by the consistency of the water. Recalling the paintings made in the mid-19th century by J.M.W. Turner, in which the British artist painted the domes of the famous cathedral from far away, Dărăscu painted in his very typical manner one of the defining compositions of the cycle dedicated to Venice.

References

Catalogul Expoziţiei Retrospective "Nicolae Dărăscu", Muzeul de Artă al Republicii Socialiste România, Bucureşti, 1966
DRĂGUȚ, Vasile, "Nicolae Dărăscu", Ed. Meridiane, București, 1966

Dimensions

width 80.5 cm, height 65 cm, custom 80,5x65

Description

oil on canvas, signed lower right, in red, "N. Dărăscu"

Dating

1926-1932

ADDITIONAL INFORMATION

For clarifications regarding the bidding procedure, hammer price costs, guarantee, payment, and collection terms for the winning lot, we recommend carefully reading/re-reading the Bidding Regulations.

For additional information regarding the lot and the auction, please contact the Art Consultants Department.

Similar lots