The photos of the lot are informative and indicative, and cannot provide a highly detailed view of the object from all angles. We recommend a careful physical inspection of the lot before bidding.
The photos of the lot are informative and indicative, and cannot provide a highly detailed view of the object from all angles. We recommend a careful physical inspection of the lot before bidding.
3. Imperial Icon on wood, "Saint Nicholas", Moldovan school, era of Jeremiah Movila, second half of the 16th century, extremely rare piece
Starting price
Pretul de pornire si cel estimat nu sunt preturi de vanzare efective
EUR 5.000
Session
Wed, 16 April 2025 19:00
Iconographic and stylistic identification elements: Against the yellow-ochre background of the icon, the figure of Saint Nicholas stands out, depicted midway downwards, presented frontally. He is blessing with his right hand, and with his veiled left hand he holds the Gospel, painted in blue and decorated with stylized flowers (rosettes). The phelonion is white, painted flatly, with folds made of ochre (partially erased), schematically rendered, but with skill. The omophorion is painted red, and the blue sticharion has folds traced with dark blue for shadows and white for highlights. Around his head he wears a red halo, decorated with white stylized flowers. On the right and left of Saint Nicholas' head, Jesus Christ, who offers him the Gospel, and the Virgin Mary, who offers him the omophorion (a reference to an episode from the Council of Nicaea, 325), are depicted in small size. The elongated oval of the face, the large eyes painted in black, the thick eyebrows and the grizzled beard are graphically executed. The face, painted in white-ochre, is modelled with pink and light grey shading. The chromatics, dominated by white, golden yellow, red and blue, are flatly applied, undervalued, offering the icon a notable decorative accent, reflecting the influence of Russian painting on Moldovan painting, in the 16th century. Inscriptions with elongated red letters in Old Church Slavonic, represent a characteristic of Moldovan painting of the period. The painting of the faces with sharp transitions from light to shadow, the graphic contours achieved with thick strokes and a certain schematization confer the painting with popular notes.
Technical identification elements: The painting was made in tempera, on a uniform priming base, the ocher-gold background, and the back of the icon is covered with a thin priming layer.
Conclusions: The icon is an authentic work of the Moldovan painting school, dating from the second half of the 16th century, also revealing some stylistic peculiarities compared to other creations of the genre (A.D.).
Dimensions
width 39 cm, height 57.5 cm
Description
tempera on wood
ADDITIONAL INFORMATION
For clarifications regarding the bidding procedure, hammer price costs, guarantee, payment, and collection terms for the winning lot, we recommend carefully reading/re-reading the Bidding Regulations.
For additional information regarding the lot and the auction, please contact the Art Consultants Department.
Detalii
Iconographic and stylistic identification elements: Against the yellow-ochre background of the icon, the figure of Saint Nicholas stands out, depicted midway downwards, presented frontally. He is blessing with his right hand, and with his veiled left hand he holds the Gospel, painted in blue and decorated with stylized flowers (rosettes). The phelonion is white, painted flatly, with folds made of ochre (partially erased), schematically rendered, but with skill. The omophorion is painted red, and the blue sticharion has folds traced with dark blue for shadows and white for highlights. Around his head he wears a red halo, decorated with white stylized flowers. On the right and left of Saint Nicholas' head, Jesus Christ, who offers him the Gospel, and the Virgin Mary, who offers him the omophorion (a reference to an episode from the Council of Nicaea, 325), are depicted in small size. The elongated oval of the face, the large eyes painted in black, the thick eyebrows and the grizzled beard are graphically executed. The face, painted in white-ochre, is modelled with pink and light grey shading. The chromatics, dominated by white, golden yellow, red and blue, are flatly applied, undervalued, offering the icon a notable decorative accent, reflecting the influence of Russian painting on Moldovan painting, in the 16th century. Inscriptions with elongated red letters in Old Church Slavonic, represent a characteristic of Moldovan painting of the period. The painting of the faces with sharp transitions from light to shadow, the graphic contours achieved with thick strokes and a certain schematization confer the painting with popular notes.
Technical identification elements: The painting was made in tempera, on a uniform priming base, the ocher-gold background, and the back of the icon is covered with a thin priming layer.
Conclusions: The icon is an authentic work of the Moldovan painting school, dating from the second half of the 16th century, also revealing some stylistic peculiarities compared to other creations of the genre (A.D.).
ADDITIONAL INFORMATION
For clarifications regarding the bidding procedure, hammer price costs, guarantee, payment, and collection terms for the winning lot, we recommend carefully reading/re-reading the Bidding Regulations.
For additional information regarding the lot and the auction, please contact the Art Consultants Department.
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